The film starts as Agapi, an adamant, lively lady in her 80s, goes from Greece to a little angling town on the Aegean bank of Turkey, joined by her granddaughter Elpida. At first she declines to clarify the motivation behind her visit, but to say that she needs to come back to the town where she grew up and specifically to the house where she was raised. When they arrive, the two ladies experience Yasar , who now possesses the house and rejects the old lady’s request that this house still fits in with her. Yasar’s mom has as of late passed on, and he plans to transform the house into an inn. Yet, he is scared by Agapi’s savagery and unmistakably pulled in to Elpida so he consents to give them a chance to stay in the house until Agapi can finish up the baffling business that she claims to have around the local area.
The more established lady’s back story is distributed little bits of article. In the long run we discover that she was compelled to leave Turkey amid the enormous populace trade that tailed one of numerous Greco-Turkish wars toward the end of World War I. Is it only wistfulness for her country that has driven her to return, or does she have another reason?